9/2/2019 360 Degrees Of Billy Paul Rarus
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First album for Philadelphia International was straight club jazz; sales were slow. This time, gave material strong enough to make his sophomore release a viable commercial entity. 'Brown Baby's' speaks of people of color making their parents and others proud. 'I'm Just a Prisoner' is real, but would have been better served without the string section. It's a stark depiction about a man who has served five years and is contemplating his future. It is about the unsettling fact that he's just a prisoner.
Its chilling chorus tells it all - 'The cell is cold as hell, you'll never get use to the smell, my bed is hard as wood, I got to fight to keep my manhood,' the riveting saga doesn't just end, the fade is lengthy, and features a dejected woefully mourning the conditions, the situation, and the turmoil of prison life. He sounds believable and frustrated belting out 'Me & Mrs. Jones,' a classic that many relate to, and those who don't have no problem being down with the passionate singing and clawing lyrics describing the unapologetic infidelity. His 'It's Too Late' is a fine rendition of classic.
You might not recognize 'Let's Stay Together,' popularized. Does it it MOR/Jazz style, with a lot of improvising before crooning the original lyrics. It shows versatility, but it's unlikely that people who bought s 'Jones' appreciated it. A version of 'Your Song' introduced the Brit to fans of soul music. S magical vibes punctuate the rhythm, which turns into a lightweight gospel revival. 'Am I Black Enough for You' fit in with the times of overt black consciousness, a social message moved along by a perky bongo and clavinet-dominated beat, and well-spaced, brassy horn hits.
A too staid 'I'm Gonna Make It This Time,' co-written by, marked second adventure in urban club jazz on 360 Degrees; this one has bite, and sings it with fire.
Billy Paul
Product Description Personnel includes: Billy Paul (vocals, arranger); Bobby Martin (arranger); David Bay, Bunny Sigler, Norman Harris, Roland Chambers, Bobby Eli (guitar); Eddie Green, Leon Huff (piano); Lenny Pakula (organ); Vince Montana (vibraphone); Anthony Jackson, Ronnie Baker (bass); Norman Farrington, Earl Young (drums); Larry Washington (congas). The 1970s soul star Billy Paul is most closely associated with his immortal smash, 'Me and Mrs. Jones,' the smooth, supple cheating song that helped define not just the Philly soul style but the sound of an entire era. While that classic tune is certainly the centerpiece of 360 DEGREES OF BILLY PAUL, it's far from the only memorable moment. Paul proves adept at sliding soulfully into other people's songs too, adding a jazzy touch to Carole King's 'It's Too Late,' making Al Green's 'Let's Stay Together' even softer and more romantic than the original, and giving Elton John's ballad, 'Your Song,' a danceable, upbeat treatment. Additionally, tunes like 'Brown Baby' and 'I'm Just a Prisoner' convincingly address social issues, proving Paul was more than just a love man. Producers: Kenneth Gamble, Leon Huff.
Recorded at Sigma Sound Studios, Philadelphia, Pennsylvania in 1972. Average Rating: (0) (0) OUTSTANDING GROOVES Billy Paul's voice was so unique and put you in the mood for love. This is a classic By (Las Vegas, NV USA) (1) (0) Best Bass line I have heard in a long time This is a really good album, a bit on the mellow side but for me the real highlight is the song 'A'm I black enough for you' Just listen to the bass line it will blow your mind, and the whole rest of the song is Hot!
It is one of my all time favorite groovin' funk tunes. And of course you cant help but do a sing along with 'Me and Mrs. Jones'.Mrs, Jones Mrs.
Jones.we had a good thing goingin' on. See I told you, I just did it. Worthy purchase, Enjoy. By (Denver) Review is for a different. (0) (0) GREAT CD This is a great cd for anyone who likes billy paul. The music quality is great and all the favorites are on it. A must have for all billy paul fans.
By (Pittsburgh Pennsylvania) Review is for a different. Have you heard this album?
David Bay (Mr. Bay is correctly spelled (Bey). Installation Instructions. David Bay (Bey) played guitar on the successful 1972 album 360 Degrees of Billy Paul.
Bay (Bey) was an outstanding guitar player and musician. David Bay (Bey) grew up in Philadelphia, PA and lived in New York City during his musical career. Bay (Bey) was self taught on the guitar as he had numerous health problems including open heart surgery in Philadelphia PA as a teenaged boy which left little time for formal guitar lessons.
David Bay (Bey) honed his craft as a young man by playing guitar for family functions in Phoenixville, PA where many of his relatives lived. David Bay's (Bey) most noteworthy guitar credit was on the fantastic album 360 Degrees of Billy Paul where he enjoyed the privilege of playing guitar.
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